2018-2024 Doctoral student in Theater Studies at the Complutense University of Madrid- Spain. Senescyt Ecuador Fellow.
Doctoral thesis Feminism, Politics and Censorship in the Contemporary Dramaturgy of Ana Diosdado. Magister Dramaturgy National University of the Arts UNA, Buenos Aires- Argentina. Research project Labyrinth of postdramatic languages, mimesis of technology and political memory Sgae Foundation Scholarship, Madrid- Spain.
He studied theater at the Malayerba Laboratory. BA Bachelor of Arts. Graphic design Universidad San Francisco de Quito, USFQ. Contemporary dance training Independent DanceFDI, Quito- Ecuador.
She studied contemporary dance, ballet, body-movement, and capoeria with renowned National and International teachers for several years.
EXPERIENCE
20 years of experience in Performing and Graphic Arts-Visual
Author of dramatic and post-dramatic texts, which have been read in Ecuador, Spain, Argentina, Korea, Greece, and Venezuela. Published in Mexico, Argentina, Ecuador, Spain, Italy, USA and Venezuela.
• 2018 Favored Senescyt Ecuador Scholarship
• 2016 Favored SGAE Foundation Scholarship, Madrid Spain.
• 2017 El Cuerno del poder receives the Joaquín Gallegos Lara Honorable Mention in Theater.
• 2018 Fourteen quadriles on the table, please receive the Jury Mention publication Call for Theater for the Dignity of Mexico.
Selected and participating in Playwriting Residencies:
• 2012 Panorama Sur, Argentina.
• 2016 Creador.es, Valencia - Spain.
• 2007 Theater training at Teatro de los Andes, Yotala-Bolivia.
• 2019 Selected at the VII Meeting of Authors with translators, XX International Theater Book Fair, Madrid- Spain.
• 2018 Selected at the VI Meeting of Authors with translators, XIX International Theater Book Fair, Madrid- Spain.
• 2014 Founded the Laberinto Teatro Ecuador platform
• Eventually he makes black and white documentary photography. Participated in the Traveling Latin American Photography Exhibition of En Contraste Magazine (Mexico)
• 2023 to present. Research Project Speaker: Feminism, Politics and Censorship in the Contemporary Playwriting of Ana Diosdado:
• 2023
• 12 SEPT. Speaker at the IX Art Research Conference, organized by the Faculty of Arts of the University of Costa Rica and the II Research Institute of San Pedro de Costa Rica.
• JUNE 06 Speaker at the 1st Meeting of New Researchers in Rhetoric: Topics and Stylistic Figures, organized by the Complutense University of Madrid, with the collaboration of the Spanish Society of Rhetoric SERET and the Department of Classical Philology of the UCM in Madrid- Spain.
• 2022
• 03 NOV International Congress The Virtual Mask. Philosophy and Science in the Hispanic Theater at the discussion table: Theater and Social Change, moderated by Elena Cano Sánchez, organized by the University of Alcalá, Research Group on Contemporary Literature (GILCO), Madrid Theater Institute (ITEM) in Alcalá de Henares, Spain.
• SEPT 23 Conference of the II International Congress of Theater Research and Stage Exhibition. Gender, identities and transitions in the Performing Arts in Spain (20th-21st centuries), organized by the University of La Laguna and the Canary Islands Actors School EAC in the Canary Islands - Spain.
• 20 OCT. Speaker at Cartemad Platform International Congress Conference. Other Theater Circuits in the 21st Century, organized by the Madrid Theater Institute and the Faculty of Philology of the Complutense University of Madrid- Spain.
• 07 OCT. Speaker at the Complutense VPhDay Conference on the Doctorate of the Faculty of Philology in Session IV, organized by the Faculty of Philology and Doctoral School of the Complutense University of Madrid.
• SEPT 12 I International Congress Performing Voices of the South. The Contemporary Scene in debate in Peru.
AUTHOR IN DRAMATURGY
2023 Inhuman, short piece
2020, 2023 III Cycle of Female Monologues Wit Monologue Project USA (in progress.)
• Lotte Lenya. I'm going to sing like never before (2020)
• Helen Mirren. Filming in Ecuador (2020)
2020. I develop short theatrical texts during confinement.
• Love (2020) Mention. Publication I Playwriting Contest From my window, Quito- Ecuador.
• Pandemic (2020) Medium Format. Participation in the Ibero-American Meeting Cycle of dramatized readings by zoom, organized by Skena Teatro (Venezuela) in the collective of playwrights of Ibero-America, Venezuela- Spain, Participation in the Greece-Athens Radio Confinement Dramaturgy Cycle, and 2021 in the Puzzle Cycle Argentina International Stage Meeting.
• Scene Sacrifice (2020) Based on scene 23 Hiring Labor by Bertolt Brecht broadcast on radio Iaspis (Greece), organized by DNI+Dramaturgia Iberoamérica Barcelona.
• November rain (2020) Brief Theatrical monologue.
2019 Creation and development of 22 female theatrical monologues:
• Justine Saunders, Cummeragunja (2019)
• Zulu Sofola, theater class (2019)
• Zora Neale Hourston, eyes watching God (2019)
• Elena Garro, my twelve cats (2019)
• Griselda Gambarro, I take some time in my Olivetti (2019)
• Reza Wit, Gothic map (2019)
• Efua Sutherland. Pan-Africanism (2019)
• Dael Olandersmith, Heartbeat of a Voice (2019)
• Ama Ata Aidoo, fisher of dreams (2019)
• María Talchieff, firebird (2019)
• María de Zayas y Sotomayor, the sibyl of Madrid (2019)
• Florence Eldridge, lux radio theater (2019)
• Evelina Orellana, a hidden treasure (2019)
• Shakina Nayfack, a tropical beach at sunrise (2019)
• Adriana Lenox, lady day (2019)
• Sister Marcela de San Félix, a letter (2019)
• Amelia Holman Gilfert, Lady Townly (2019)
• Elsa Bernstein, liberation of the geese (2019)
• Celeste Holm, protagonists (2019)
• Ongnjenka Milicévic, Alteje 212 (2019)
• Pina Bausch, A Café Müller (2019)
• 2018 MADRES MAYO/ MOTHERS OF MAY Participate in 365 Women a Year, a playwriting Project in the United States.
• 2014 - 2018 LA CLASE /THE CLASS
• 2017 REVOLUCIÓN DE LAS ESTATUAS/ STATUE REVOLUTION Favored by Iberescena Creation Aid (Spain) and the Ministry of Culture and Heritage (Ecuador).
• 2009 - 2016 PUERTAS CÏCLICAS /CYCLIC DOORS
• 2014 - 2015 TRANSPORTE POPULAR/ POPULAR TRANSPORTATION
2015 Selected III Ibero-American dramaturgy exhibition DNI+D Spain.
2020 Published in Celcit Latin American Dramatic Collection, Argentina.
• 2011 - 2015 TINTA NEGRA /BLACK INK
2019 Selected and participation in II FEDRAS Dramaturgy Fair, Buenos Aires- Argentina
• 2019 Dramatized Reading Presentation, Espacio Impro Madrid, Madrid- Spain.
2021 Presentation I Cycle of dramatized readings (Ecuador- Spain) at Acting School of Performing Arts, Madrid- Spain.
• 2011 - 2014 EL CUERNO DEL PODER/THE HORN OF POWER 2014 Presentation in seasons Teatro Variedades, Casa del Teatro Malayerba, Alianza Francesa, Patio de Comedias, Eight and a Half, Quito- Ecuador.
. 2016 Translated into Korean and staged at Korea University.
2016 Published in Cuadernos de Dramaturgia Internacional Paso de Gato, Mexico 2016 Participation in the International Meeting Yo es otro at Espacio Teatro el Carnero, Buenos Aires- Argentina.
2017 Mention Joaquín Gallegos Lara Ecuador.
2021 Presentation in I Cycle of dramatized readings 2021 (Ecuador- Spain) at Acting School of Performing Arts, Madrid- Spain.
• 2011 - 2013 CABEZA SIN MAR/HEAD WITHOUT A SEA, a version of Antigone by Sophocles.
2013 Dramatized Reading fragment at Caleidoscope event, Centro de Arte Contemporánea CAC, Quito- Ecuador.
2021 Presentation I Cycle of dramatized readings (Ecuador- Spain.) at Acting School of Performing Arts, Madrid- Spain.
• 2012 - 2013 -2016 EN VENTA/ FOR SALE, a version of Bertolt Brecht's Threepenny Opera.
• 2011 - 2012 CATORCE CUADRILES A LA MESA, POR FAVOR /FOURTEEN QUADRILES TO THE TABLE, PLEASE
2017 Publication Mention Theater for Identity, Paso de Gato, Mexico.
• 2011 - 2013 EXÜS MACHINA Y MUÑECA/ EXÚS MACHINE AND DOLL
2013 Theater Season at Rosero Galería, Quito- Ecuador.
2021 Presentation I Cycle of dramatized readings (Ecuador- Spain.) at Acting School of Performing Arts, Madrid- Spain.
DIRECTION PLAYS OF THEATER AND DANCE WORKS
• 2021 General direction and dramaturgy I Cycle of dramatized readings (Ecuador- Spain) of his First Anthology in dramaturgy Indomita Morada: El Cuerno del Poder, Tinta Negra, Cabeza sin Mar, Exús Machina y Muñeca, Madrid- Spain.
• 2019 General direction, dramaturgy and acting Dramatized reading Fragmento Tinta Negra in ImproMadrid, Spain.
• 2019 General Management Short performance series Places, Madrid - Spain.
• 2014 Direction, dramaturgy and acting El Cuerno del Poder. Season at Teatro Variedades, Casa del Teatro Malayerba, Alianza Francesa, Patio de Comedias, cinema Eight and a Half, 2016 International Meeting Yo es otro, Espacio Teatro el Carnero, Buenos Aires- Argentina. .
• 2013 Direction, dramaturgy and performance Exús Machina y Muñeca /Exús machina y doll at Rosero Galería.
• 2013 Direction of Poetry readings Bolivia, Colombia, Ecuador at the Book Fair, Bicentennial.
• 2013 Direction and dramaturgy Zona Cero, Chat Back, Cabeza sin mar micro formats Calidoscope event at the Contemporary Art Center.
• 2013 Direction and performance performance Hilos Rojos de libertada at Multinational artistic practices.
• 2013 Direction of dramatic reading Cabeza sin Mar fragment presented within the 10th Women's Meeting on stage.
• 2011, 2012 Direction of dramatic reading Moros en la Azotea /Moors on the rooftop playwriting Peky Andino Marco Teatro X identity and I Latin American Dramaturgy Reading Cycle IUNA Argentina.
• 2009 Choreographic direction of dance-theater works: Factotum, the Man Factory.
• 2009 Choreographic direction of the dance-theater piece Sombras Rojas presented at CMDJ.
ACTRESS AND PERFORMER OF THEATER AND DANCE WORKS
· 2021 Leading actress El Cuerno del Poder in I Cycle of Dramatized Readings (Ecuador- Spain), Madrid- Spain.
· 2019 Actress dramatized reading fragment Tinta Negra ImproMadrid space, Madrid Spain. · 2019 Actress Performance Operación Legazpix with the artist collective in the Plaza de Legazpi, Madrid- Spain.
· 2014-2015 and 2017 Leading actress El Cuerno del Poder in Ecuador, Argentina and Spain. 2013 Leading actress Exús Máchina y Muñeca.
· 2013 Dance performer Las horas florecen/The hours flourish by Hervé Koubi. Dir. David Guasgua.
· 2013 Amarrando a los caballos salvajes/Tying the wild horses, La Patria de en medio/The Homeland in the middle/ La línea /The line and several works. Dir. Kléver Viera.
· 2011 Actress and playwright work in progress fragment Puertas Cíclicas. Dir. Jorge Sánchez Collective of Public Maneuvers, Buenos Aires.
· 2009 Mercaderes, 2da Temporada/ Merchants. Second Season, a version of Shakespeare's Merchant of Venice, dramaturgy and Dir. Arístides Vargas.
· 2008 La línea , retratos de una expulsión/ The Line, paintings about the expulsion, Theater Altarpiece.
·2005 Las Neurosis Sexuales de Nuestros Padres/ The Sexual Neuroses of Our Parents, play by Lukas Bärfuss. Dir. Peky Andino.
· 2005 MI radio lo mató /My radio, it killed dramaturgy and Dir. Peky Andino.
· 2004 The Trial in the Shadow of the Donkey dramaturgy by Fiedrich Drürrenmatt. Dir. Aristides Vargas.
FILM AND VIDEO ACTRESS
Click Portafolio Actuación Cine y video
TELEVISION SERIES
2017 Actress in the series El caminante, Teleamazonas.
FEATURE FILMS
• 2015 The trap. Dir. Carlos Alberto Poe.
• 2008 Big bam. Dir Wiliam Burbano.
• 2006 Miracle of Coromoto. Dir. Carl West.
• 2008 Leading actress in the medium-length film Almas Muertas. Dir. Pedro Saád.
SHORT FILMS
• 2014 Puppets of Power. Dir. Pablo Carvajal, IAVQ.
•2014 Direction and performance Experimental Sueño en Blanco, microformats.
• 2010 Leading actress I love you as a friend. Dir Estaban Fuertes, Incuba films.
• 2002 Leading actress El Desire and Co-direction of the short film Tango me copia, Talleres Camilo Luzuriaga.
•2006 Featured actress in the feature film When it's my turn. Dir. Víctor Arregui.
• 2003 Featured actress in the feature film Cara o Cruz. Dir. Camilo Luzuriaga.
EXPERIMENTAL
She participated as an actress in several institutional, educational, experimental videos and some advertisements.
NADIA ROSERO
MULTIDISCIPLINARY ARTIST
Playwright, actress, director, producer and researcher
